MGM/UA Entertainment Co. · Ars Gratis Artis · Trade Mark
UA · United Artists
Opening Credits[]
Aurora Presents
A Don Bluth Production
"South Park"
With the Voice Talents of:
Jesse White - Gadget
Cree Summer Francks - Penny
Keith Mitchell - Stan Marsh
Corey Peldman - Eric Cartman
Philip Glasser - Kyle Broflovski
Mike Judge - Kenny McCormick
Paul Shenar - Dr. Claw
Dan Hennessey - Chief Quimby
Trey Parker - Justin Pin
Don Francks - Shan-Thun
Dom DeLuise - David
Ron Moody - Badger/The Hare
Eva Gabor - Weasel/Mrs. Rabbit
Music by: Jerry Goldsmith
Executive Producers: Rich Irvine, James L. Stewart
Produced by: Don Bluth, John Pomeroy, Gary Goldman
Directed by: Don Bluth
Ending Titles[]
THE END
Ending Credits[]
The Characters:
(in order of appearance)
Jesse White - Gadget
Paul Shenar - Dr. Claw
Dan Hennessey - Chief Quimby
Trey Parker - Justin Pin
Don Francks - Shan-Thun
Dom DeLuise - David
The Children:
Keith Mitchell - Stan Marsh
Corey Peldman - Eric Cartman
Philip Glasser - Kyle Broflovski
Mike Judge - Kenny McCormick
Cree Summer Francks - Penny
The Animals:
Ron Moody - Badger/The Hare
Eva Gabor - Weasel/Mrs. Rabbit
Paul Winchell - Tanner the Hare/Blaze the Rabbit
John Fiedler - Ben the Hedgehog/Spot the Mole
Hal Smith - Blue Mouse/Jinks the White Ferret
Peggy Lee - Crystal The Kestrel/Susanne the Hare
Voices:
Frank Welker - Brain/M.A.D. Cat
Will Ryan - Shtick
Greg Duffell, Don Francks, Dan Hennessey - M.A.D Agents
Hal Smith - Bro
John Stephenson - Ben Raven
Robert Rodriguez - Keven
Karri Turner - Sneiva
Arnold Schwarzenegger - Mr. Optimus
Alan Young - Professor Moshimo
Carey Burton - Count Olaf
Mel Blanc - Dr. Kamikazi
Frank Oz - Constantine
David Prowse - Darth Vaper
Based on the "The Four Young Boys" by Bob Clampett and Tim Burton
Songs
Composed by: Jerry Goldsmith
Lyrics and Written by: Paul Williams
"You Can't Keeping a Dance Now"
Sung by: Jesse White and Dan Hennessey
"Days of the Clouds"
Sung by: The Don Bluth Players
"Can You Get Up"
Sung by: Jesse White, Cree Summer Francks, Keith Mitchell, Corey Peldman, Mike Judge
"I Believe I Will"
Sung by: Keith Mitchell, Corey Peldman, Mike Judge
"Blame It on the Boogie"
Sung by: Jesse White and Dom DeLuise
Produced by: Mick Jackson, Dave Jackson and Elmar Krohn
"Through The Eyes of Love"
Sung by: Cree Summer Francks
Orchestrations: Chris Boardman, Alexander Courage, Jerry Goldsmith, Arthur Morton
The National Philharmonic Orchestra, London, England
Production Executive: Mel Griffin
Production Manager: Fred Craig
Directing Animators: John Pomeroy, Don Bluth, Gary Goldman
The Animators: Lorna Pomeroy, Dan Kuenster, Skip Jones, Heidi Guedel, Dave Spafford, David Molina, Will Finn, Emily Jiuliano, Linda Miller, Kevin M. Wurzer
Story Adapation: Don Bluth, John Pomeroy, Gary Goldman, Will Finn
Storyboard: Frank Thomas, Tom Jung, Jeff Siergey
Additional Storyboard: Carl Ramsey
Visual Development: Don Bluth
Layout: Don Bluth, Larry Leker
Color Story Sketch: William Lorencz
Backgrounds: Don Moore, Ron Dias, David Goetz, Jim Coleman
Special Effects Animation: Dorse A. Lanpher
Additional Special Effects: Tom Hush, Diana Laundau, Bruce Heller
Effects Assisted by: Scott Santoro, Barry A. Whitebook, Hope London, Jeff Etter, Vincent De Francis
Computer Animation by: Tad A. Gielow, Tina Price, Andrew Schmidt, Scott F. Johnston
Computer Generated Graphics: Mary Jane Turner, Linda Bel, Thomas Cardone, Gregory Griffith
Character Key Assistants: Vera Lanpher, Emily Jiuliano, Philo Barnhart
Assisted by: Nancy Kniep, Terry Shakespeare, Sally J. Voorheis, Elyse Pastel, Gary Perkovac, Michael Horowitz, Art Roman, Leonard E. Johnson, Kelly Anderson, Tamara Anderson, Cheryl Polakow, Ayalén Garcia, Bruce W. Timm, Boowon Lee, Marshall Toomey, Arland Barron, Auguste Haboush, Stephan Zupkas, Christopher Peterson, Ken Cope, Charlie Steve Zembillas, Bonnie Robinsons
Film Editor: Jeffrey Patch
Assistant Director: Dan Molina
Sound Effects Editors: David M. Horton, Sam Horta, Eileen Horta, Jeffrey Patch
Animation Camera: Joe Jiuliano, Charles Warren, Jeff Mellquist, Robert Maine
Visual Consultant: Bill Butler
Director of Special Processes: Fred Craig
Animation Color Stylists: Carmen Oliver, Cindy Chilko Finn, Debbie Casillas
Mark-Up: Cynthia Surage
Paint Technician: Debra Y. Siegel
Animation Checking: Nikki Zelenka, Kathy Barrows, Annamarie Costa
Final Checking: Dave Smith, Jim Stocks
Xerography: Robert Erhart, John Eddings, Eric Daniels, Michael Kane, Janet Zoll, Robert Avery, David Ankney, David Braden
"Celine Miles Ink and Paint" Xerography/Ink and Paint/Final Check: Greg Maurice
Xerography Checkers: Daryl Carstensen, Valerie Green
Ink & Paint Supervisor: Olga Tarin Craig
Inkers: Karan J. Storr, Diane Dunning, Cris Stocks, Alethea Bernard, Merllyn Ching, Kristine Brown
Poster Artists: John Alvin, Drew Struzan, Tom Jung
Creative Consultants: Stephan Barnes, Richard A. Gabrio, Martin S. Jacobson
End Titles Song "Through The Eyes of Love"
Composed by: Jerry Goldsmith
Lyrics and Written by: Paul Williams
Sung by: Melissa Manchester
Produced by: Marvin Hamlisch and Carole Bayer Sager
Supervising Music Editor: Sam Horta
Music Editor: Len Engel, Kenny Hall
London · Music Editor: Mike Clifford
Music Mixer: Bruce Botnick
California · Music Mixer: Dennis S. Sands
London · Music Mixer: Shawn Murphy
Music Producer: Jerry Goldsmith
Music Contractor: Sandy De Crescent
Music Preparation: Jo Ann Kane, Steven L. Smith
Music Recording: John Richards, Dennis S. Sands
Orchestra Scoring Recordist: John Rodd
Musicians: Tom Boyd · Oboe Soloist, James Thatcher · French Horn, Jonathan Williams · Cello, Paul Williams · Keyboard
Featured Vocalists: Paul Williams, Sally Stevens
Singer: Sally Stevens
Dialogue Recording: Gary Ulmer
Sound Effects Recording: James Cavarretta, Jr.
Foley: John Roesch, Alyson Dee Moore, Gary Hecker, Hilda Hodges, Joan Rowe
Foley Recordist: Carolyn Tapp
Foley Mixer: Marie Jo Lang
Stereo Sound Design: Donald C. Rogers
ADR Editor/Recordist: Morten Folmer Nielsen
Original Dialogue Mixer: Doc Kane, Michael Miller
Synthesizer Effects: Stan Levine
Re-Recording Mixers: Donald O. Mitchell, C.A.S., Rick Kline, C.A.S., Kevin O'Connell, C.A.S.
Re-Recording Recordists: Walter Gest, Gary Ritchie
Production Assistants: Caralyn Warren, Carolyn Morris, Charles Kurtis, Julie Spafford, Bob Chevalier, Edna Hartling, Sarah King, Shirley Spafford, Mike Vest, Terri Eddings, Victor Solis, David Steinberg
Unit Publicist: Kimberley Coy
Color Timer: Richard Ritche
Negative Cutting: Donah Bassett
Dolby Consultant: William Mead
Accounting: G. Thomas Baker, Diana Johnson, Tom Irvine, Elaine Miller, Jan Goldman
Special Thanks: William Luckey, Rejay Somai, Ashini Shah
Technical Acknowledgements
Camera Stand Engineering: Mechanical Concepts
Camera & Movement Fabrication: Optical Camera Services Inc.
Electronic Systems: Elicon®
Electrical Consultants: Corralitos Electric Co.
Engineering Consultants: Buckeye-Western
Special Equipment Fabrication: Andersson Engineering Co., Monrovia Machine Works, Hansa Tooling, Jules Elkind Co.
Screening Facilities: Celluloid Services Inc.
Sound Services: Horta Editorial Sound Inc., B & B Sound Studios, Burbank Editorial & Sound Service, Post Production Arts Inc.
Graphic Arts Services: Schaeffer Photo Lab, Stat House, Title House, Studio Graphics
Electrostatic Imagers: Pram Labs
Cel Painting Service: Celine Miles Ink & Paint Service
Cel Paint Laboratory: Art Color Products
Pitching Lens System: Continental Camera Systems Inc.
Lenses: Nikon®
Stage Facilities: A&A Special Effects Inc.
Computer Generated Graphics: Image West, Ltd.
Additional Laboratory Services: Conrad Film Duplicating Co., Hal Mann Laboratories
Optical Effects: Westheimer Company
Dialogue Recorded at: Motion Picture Recording Inc. Hollywood, California
Music Recorded at: CTS Wembley London, England
Re-Recording at: Goldwyn Sound Facility Los Angeles, California
Dolby Stereo® In Selected Theatres
Original Soundtrack Available on Records and Tapes
Digital Recording by: Soundstream
Color by Technicolor®
The story, or names, characters and incidents portrayed in this production are fictitious. No identification with actual persons is intended or should be inferred.
This motion picture photoplay and soundtrack are protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication and/or distribution of the photoplay and/or soundtrack may result in civil liability and criminal prosecution.
This picture made under the jurisdiction of I.A.T.S.E., affiliated with A.F.L.-C.I.O.
Approved No. 26707 Motion Picture Association of America